Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Francesco Solimena 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
51272 Allegory of Reign Francesco Solimena Allegory of Reign 1690 Oil on canvas, 104 x 76 cm
91392 Bathseba im Bade Francesco Solimena Bathseba im Bade um 1725 Medium oil on canvas Dimensions 103 x 128 cm (40.6 x 50.4 in) cjr
39580 Charles VI and Count Gundaker Althann Francesco Solimena Charles VI and Count Gundaker Althann mk150 1728 309x284cm
39633 Descent from the Cross Francesco Solimena Descent from the Cross mk150 c.1730/31 Canvas 398x223cm
32668 Dido Receiveng Aeneas and Cupid Disguised as Ascanius Francesco Solimena Dido Receiveng Aeneas and Cupid Disguised as Ascanius 1720s Oil on canvas, 207 x 310 cm
43281 Dido Receiving Aeneas and Cupid Disguised as Ascanius Francesco Solimena Dido Receiving Aeneas and Cupid Disguised as Ascanius mk170 1720-1730 Oil on canvas 207.2x310.2cm
32672 Expxulsion of Heliodorus from the Temple Francesco Solimena Expxulsion of Heliodorus from the Temple Fresco
20643 Heliodorus Chased from the Temple (mk05) Francesco Solimena Heliodorus Chased from the Temple (mk05) 1725 Canvas ,59 x 78 1/2''(150 x 200 cm)Preparatory sketch for a fresco in the New Church of the Gesu at Naples Acquired for Louis XVI in 1786
70764 judit med holofernes huvud Francesco Solimena judit med holofernes huvud 1728-33 pa duk 130x105cm se
3800 Judith with the Head of Holofernes Francesco Solimena Judith with the Head of Holofernes Art History Museum, Vienna
96879 L Assomption et le Couronnement de la Vierge Francesco Solimena L Assomption et le Couronnement de la Vierge 1690(1690) Medium oil on canvas Dimensions 134 X 101 cm cyf
86272 LAssomption et le Couronnement de la Vierge Francesco Solimena LAssomption et le Couronnement de la Vierge 1690(1690) Medium Oil on canvas Dimensions 134 x 101 cm (52.8 x 39.8 in) cyf
78216 Portrait of Charles VI Francesco Solimena Portrait of Charles VI 1707(1707) Medium Oil on canvas Dimensions 188 x 127 cm (74 x 50 in) cyf
76362 Portrait of Charles VI, Holy Roman Emperor Francesco Solimena Portrait of Charles VI, Holy Roman Emperor 1707(1707) Oil on canvas 188 ?? 127 cm (74 ?? 50 in) cjr
32687 Rebecca and Eleazer Francesco Solimena Rebecca and Eleazer c. 1710 Oil on canvas, 202 x 150 cm
29103 Rebecca at the Well Francesco Solimena Rebecca at the Well mk65 Oil on canvas 28x25"
71553 Rebecca at the Well Francesco Solimena Rebecca at the Well Date c. 1700 Medium Oil on canvas Dimensions 72 x 63 cm (28.35 x 24.8 in)
32665 Saint Cajetan Appeasing Divine Anger Francesco Solimena Saint Cajetan Appeasing Divine Anger Fresco
58469 Self portrait Francesco Solimena Self portrait mk261 1730-1732 Oil Painting on canvas in 130 x 114 cm
78811 Self portrait Francesco Solimena Self portrait ca. 1715(1715) Medium Oil on canvas Dimensions 128 x 112 cm (50.4 x 44.1 in) cyf
26866 Self-Portrait Francesco Solimena Self-Portrait mk52 1730-1 Oil on canvas 130x114cm Uffizi,Florence
51275 St Bonaventura Receiving the Banner of St Sepulchre from the Madonna Francesco Solimena St Bonaventura Receiving the Banner of St Sepulchre from the Madonna 1710 Oil on canvas, 240 x 130 cm
97733 St Francis before the Pope Francesco Solimena St Francis before the Pope first quarter of 18th century Medium oil on canvas Dimensions 114 x 88 cm cyf
51280 The Martyrdom of Sts Placidus and Flavia Francesco Solimena The Martyrdom of Sts Placidus and Flavia 1697-1708 Oil on canvas, 75 x 133 cm
70501 The Martyrdom of Sts Placidus and Flavia Francesco Solimena The Martyrdom of Sts Placidus and Flavia Medium Oil on canvas Dimensions 75 x 133 cm
32680 The Massacre of the Giustiniani at Chios Francesco Solimena The Massacre of the Giustiniani at Chios Oil on canvas, 275 x 163 cm
43606 The Trinity, the Madonna and St Dominic Francesco Solimena The Trinity, the Madonna and St Dominic The Trinity, the Madonna and St Dominic

Francesco Solimena
1657-1747 Italian Francesco Solimena Gallery Francesco Solimena was born in Canale di Serino, near Avellino. He received early training from his father, Angelo Solimena, with whom he executed a Paradise for the cathedral of Nocera (place where he spend a big part of his life) and a Vision of St. Cyril of Alexandria for the church of San Domenico at Solofra. He settled in Naples in 1674, there he worked in the studio of Francesco di Maria and later Giacomo del Po[1]. He apparently had taken the clerical orders, but was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII)[2]. By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his art??for he was a highly conventional painter??after the Roman Baroque masters, Luca Giordano and Giovanni Lanfranco, and Mattia Preti, whose technique of warm brownish shadowing Solimena emulated. Solimena painted many frescoes in Naples, altarpieces, celebrations of weddings and courtly occasions, mythological subjects, characteristically chosen for their theatrical drama, and portraits. His settings are suggested with a few details??steps, archways, balustrades, columns??concentrating attention on figures and their draperies, caught in pools and shafts of light. Art historians take pleasure in identifying the models he imitated or adapted in his compositions. His numerous preparatory drawings often mix media, combining pen-and-ink, chalk and watercolor washes. Francesco Solimena 'A study for the fresco cycle in the Sacristy of San Paolo Maggiore in Naples', Whitfield Fine Art.A typical example of the elaborately constructed allegorical "machines" of his early mature style, fully employing his mastery of chiaroscuro, is the Allegory of Rule (1690) from the Stroganoff collection, which has come to the State Hermitage Museum, St Petersburg. He apparently hoped to see his son Orazio follow a career in the law, for which he received a doctorate (de Domenici), but also became a painter. His large, efficiently structured atelier became a virtual academy, at the heart of cultural life in Naples. Among his many pupils were Francesco de Mura (1696-1784) , Giuseppe Bonito (1707-89), Pietro Capelli, Gaspare Traversi, and most notably Corrado Giaquinto and Sebastiano Conca. The Scottish portraitist Allan Ramsay spent three years in Solimena's studio. Solimena amassed a fortune, was made a baron and lived in sumptuous style founded on his success. Francesco Solimena died at Barra, near Naples, in 1747.
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